Filmmaker · New York / Japan

Stories begin
with asking why.

I’m Hina Effie Ogino, a Japanese and American filmmaker drawn to the complicated relationships that shape us—and the creative work of bringing those stories to life.

Explore selected work
Portrait of Hina Effie Ogino
荻野緋菜   /   Hina Effie Ogino
WRITING · DIRECTING · PRODUCINGA creative practice, a development mindset.
01 / Selected work

From instinct to execution.

Two projects. Different creative responsibilities. A shared commitment to understanding the story before shaping it.

Japanese-language short film / Shizuoka, JapanSalt in SoilPsychological family drama / thriller

Salt in Soil

Writer · Director · Producer / Post-production

An original short film exploring the inheritance of trauma through a Japanese family drama. A bilingual, international production rooted in New York City and Shizuoka, Japan.

Short film / 2022Candied
Lips
Directing another writer’s vision

Candied Lips

Director · Picture & Sound Editor

Working from a screenplay by the film’s writer-producer, I helped translate a romantic comedy into creative decisions, performances, and a finished edit.

Watch film ↗
02 / The development mindset

Curiosity.
Then conviction.

“Ask why before assuming you understand.”

My interest in creative development grows out of making films: recognizing potential, asking useful questions, and helping a creative vision survive practical decisions.

01Read for the intention

I have evaluated screenplays, treatments, and creative materials, including other writers’ work. I’m interested in what a story is trying to say, where its emotional logic holds, and what could make that intention clearer.

02Develop through dialogue

On Candied Lips, development meant discussing the logline, themes, aesthetics, casting, locations, and production choices with the writer-producer—then making decisions that served the film.

03Connect vision to execution

Writing, directing, and producing Salt in Soil required carrying creative intent across departments, languages, and production constraints. My operations experience adds scheduling, team coordination, and problem-solving skills.

04Keep the audience in mind

I want to work at the intersection of storytelling, cultural context, and business: helping identify projects, support artists, and understand how stories connect with an audience.

03 / Background & perspective

Across cultures.
Across disciplines.

I was born in New York and raised across Japan, China, Belgium, and the UK. Moving between communities made me curious about what people communicate, what they leave unsaid, and how context changes our understanding of both.

I earned my BFA in Film & Television Production at NYU Tisch. Alongside filmmaking, I have led hospitality teams and managed the daily systems that keep a business moving—from staffing and training to vendors and events.

I’m now pursuing an MBA at Baruch Zicklin, bringing my experience in Film & TV creative development to the program, with particular interests in development, acquisitions, and content strategy.

English & JapaneseStory developmentCreative collaborationProduction coordinationTeam leadership
04 / Let’s connect

Good stories start
with a conversation.

I welcome conversations about creative development opportunities, film projects, and collaborations across cultures.

Project study / 01

Salt in Soil

Approx. 18 minutes · Japanese · Shizuoka, Japan

Original voice, shared execution

A psychological family drama/thriller exploring inherited trauma. As writer, director, and producer, I have been the principal creative decision-maker, taking the project from screenplay into an international bilingual production.

My contribution

Why this work matters to me

The project reflects my interest in family relationships, what passes between generations, and the tension between affection and harm. It brings together my creative authorship and my ability to guide a team through execution.

Post-production / Festival preparation · Full film not published here

Project Instagram ↗
Project study / 02

Candied Lips

Short film · 2022 · Director & Editor

Supporting a story beyond my own taste

Although romantic comedy was outside my personal genre preference, I recognized potential in a screenplay supplied by its writer-producer. My role was to understand that vision and help make it work as a film.

From discussion to decisions

I worked with the writer-producer on the logline, synopsis, themes, aesthetics, casting, locations, budget, schedule, and contingencies. Those conversations required explaining creative choices, weighing alternatives, and keeping the production moving toward a shared outcome.

From set to edit

I directed the film and handled picture and sound editing, carrying the creative interpretation through performance, pacing, and the finished cut.

The development connection

This collaboration is an example of how I can engage with another creator’s material, communicate a point of view, and connect story discussions to practical filmmaking choices.

Watch Candied Lips on Vimeo ↗