Salt in Soil
An original short film exploring the inheritance of trauma through a Japanese family drama. A bilingual, international production rooted in New York City and Shizuoka, Japan.
I’m Hina Effie Ogino, a Japanese and American filmmaker drawn to the complicated relationships that shape us—and the creative work of bringing those stories to life.
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Two projects. Different creative responsibilities. A shared commitment to understanding the story before shaping it.
An original short film exploring the inheritance of trauma through a Japanese family drama. A bilingual, international production rooted in New York City and Shizuoka, Japan.
Working from a screenplay by the film’s writer-producer, I helped translate a romantic comedy into creative decisions, performances, and a finished edit.
Watch film ↗“Ask why before assuming you understand.”
My interest in creative development grows out of making films: recognizing potential, asking useful questions, and helping a creative vision survive practical decisions.
I have evaluated screenplays, treatments, and creative materials, including other writers’ work. I’m interested in what a story is trying to say, where its emotional logic holds, and what could make that intention clearer.
On Candied Lips, development meant discussing the logline, themes, aesthetics, casting, locations, and production choices with the writer-producer—then making decisions that served the film.
Writing, directing, and producing Salt in Soil required carrying creative intent across departments, languages, and production constraints. My operations experience adds scheduling, team coordination, and problem-solving skills.
I want to work at the intersection of storytelling, cultural context, and business: helping identify projects, support artists, and understand how stories connect with an audience.
I was born in New York and raised across Japan, China, Belgium, and the UK. Moving between communities made me curious about what people communicate, what they leave unsaid, and how context changes our understanding of both.
I earned my BFA in Film & Television Production at NYU Tisch. Alongside filmmaking, I have led hospitality teams and managed the daily systems that keep a business moving—from staffing and training to vendors and events.
I’m now pursuing an MBA at Baruch Zicklin, bringing my experience in Film & TV creative development to the program, with particular interests in development, acquisitions, and content strategy.
I welcome conversations about creative development opportunities, film projects, and collaborations across cultures.